Maya’s Homes Begin a Project

— The Profile

Maja Milič

Twenty-five years of work, held in one hand. A practice in Cascais where the person who draws the floorplan is the same person who oversees the build — and answers your call ten years after the keys turn.

— The Founder

Cascais ever since.

Maja was born in Italy. She lived in Belgium and Scandinavia, and Northern European design — cosiness, warmth, natural colours — shaped how she thought about a room. By the time she came to Cascais, the eye was already formed.

She started as a designer. But her vision rarely made it from the drawing to the room — the output subpar, the intent lost in translation. The only way for clients to see what she saw was to lead the work herself. That is how Maya’s Homes began — every trade in-house. No subcontractors. No telephone game. No quiet handoffs.

Maja speaks seven languages. She is on site every day. Maya's Homes takes on only what she can finish in her own hand.

Portrait of Maja Milič, founder and lead designer of Maya’s Homes
Maja Milič — Cascais
Studio · Alcabideche

— The House

Welcome to
Maja’s home.

The workspace is a house. Maja lives and works in the same T5 home in Alcabideche where every drawing begins, every sample is tested, every renovation finds its first room. Clients are received here, at the table where the work itself is made.

Every project begins with a visit — to your space, or to hers.

“Subcontracting would be easier and cheaper. It is also not how Maya’s Homes works — and never will. The precision and quality I promise cannot come from someone else’s hand.”

— Maja Milič

— On this coast

Built for the rain
as much as the sun.

The Cascais coastline runs east to west. Most of the year the light is direct and the days are dry — then the rain arrives, and the house tells you exactly how well it was built. Portugal is two climates in one, and a renovation here has to answer both.

Years working this stretch of the coast mean the failure points stop being surprises. Where water finds a way in. Which materials can’t stand the August heat. Every spec and finish is selected with both seasons in mind.

Villas, apartments, the conversions in between — across the range of high-end residential interior design we take on, the failures repeat. We know what cutting corners costs a year or two on. We know what to hold the line on.

The work has to outlast the weather. It is why clients return for their next home, never to repair the first one. That is the only standard worth keeping.

The Maya’s Homes van on the Cascais waterfront — Portuguese calçada pavement, palm trees, heritage azulejo facades, the harbour visible in the distance

— Selected work

Six houses, no two alike.

Different briefs, different addresses, one pair of hands. Drawn by Maja, run by Maja, signed off only when there’s nothing left to fix.

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From five countries,

Eight hands. One signature.

Maja draws. These eight build. The same hands on every Maya’s Homes home, year after year.

Portrait of Bogdan, site foreman

Bogdan

Site Foreman

Fifteen years on site. Ukrainian.

Portrait of Iurie, tiling and masonry

Iurie

Tiling & Masonry

Twenty-five years on site. Moldovan.

Portrait of Yurii, electrics and drywall

Yurii

Electrics & Drywall

Eight years on site. Ukrainian.

Portrait of Vlad, finishing and joinery

Vlad

Finishing & Joinery

Six years on site. Ukrainian.

Portrait of Ivan, plastering and plumbing

Ivan

Plastering & Plumbing

Seven years on site. Ukrainian.

Portrait of Artur, masonry and construction

Artur

Masonry & Construction

Five years on site. Italian.

Portrait of Jhon, structural and construction

Jhon

Structural & Construction

Four years on site. Colombian.

Portrait of Lukas, operations and digital

Lukas

Operations & Digital

Two years with the studio. Slovenian.

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From Italy, Slovenia, Ukraine, Moldova, and Colombia — assembled in Cascais, around one practice, around one rule.

— Design to install

One line, all the way through.

1 · Design 3D render of the Azulejo kitchen design — walnut cabinetry, blue ceramic tile backsplash, Bosch built-in ovens, white counter with gas cooktop
The room, before it is built.
2 · Sample Material samples on Maja’s desk — Portuguese azulejo tile, walnut wood, white quartz, navy paint, Pantone fan
Materials chosen against the room they will live in.
3 · Install The finished Azulejo kitchen — walnut cabinetry built, blue ceramic backsplash installed, pendant light over the counter, windows to the city
The same line, in the room it was made for.

— The practice in numbers

Twenty-five years. Held in one hand.

25

Years

Renovating in Cascais and the Lisbon corridor.

8

Hands

On the bench. Every trade held in-house.

7

Languages

Spoken by Maja directly with every client.

72

Years

Of collective on-site work across the bench.

Interior Design Institute · Cascais School of Arts & Design · IMPIC Alvará 97976‑PAR · AMI 18698 · Carpentry · Joinery · Tiling · Masonry · Electrics · Drywall · Plaster · Plumbing — every trade held in-house.

— A note from Maja

Most renovations start as somebody else’s plan, then become somebody else’s project. Mine don’t. I draw the home, I am on site every day, and the trades work for me — never a subcontractor. That is the only way I know to build a home worth keeping.

Write whenever you’re ready — a paragraph, a question, a photo of the room that’s been bothering you. I read every email myself. Usually I reply the same day.

— Maja Milič